The third episode of Luke Cage is called, “Who’s Gonna Take the Weight?” and it’s a good follow up to the tragedy near the end of “Code of The Streets.” It starts off with a big firefight and people fleeing the Crispus Attaks building. After a couch goes sailing out one of the upper floor windows, Cage strolls out, hood up, carrying a large duffel bag. Then we get text of “Earlier That Day” to explain what we’re seeing and how Cage got here.
The second episode of Luke Cage starts with a trick I’m really starting to get tired of. It’s a situation that’s presented, and then we work our way back to that point. It can be a nice plot device, and it’s even done decently here, but I really think they could have done the story without it. Countering that, they include something I’m hugely in favor of. The infamous N-word gets used, in my humble opinion, far too often in movies and tv. Luke gives a mini-lecture against it, and he’s the second character in this series to do that. I wholeheartedly approve.
With Luke Cage starting off on Netflix, I thought this would be a good time to go over some of the major characters and their comic book counterparts. As with most comic book characters who have been around a while, some of the histories are a bit complicated
March 17th is the next Netflix series release date for Iron Fist, with my favorite of four heroes.
With two seasons of Daredevil out, and one of Jessica Jones, the Netflix corner of the Marvel Cinematic Universe moves on to Luke Cage, third of the original four announced series. I’ve enjoyed Luke in most of his comic incarnations, and thought Mike Colter did a great job on the Jessica Jones series, so I was happy to see him stand up as the star here. I really enjoyed the opening episode.
Daredevil’s second season comes to a close with “A Cold Day in Hell’s Kitchen.” The show starts with Nobu caressing the stone box we keep seeing the Hand with, while a woman with red hair reports to him. They have plans afoot to regain the Black Sky, no matter what Elektra or Daredevil want. Whatever they are plotting doesn’t sound like it’s going to be good for anyone.
Things have been going not really well for the cast of Daredevil this season. So the penultimate title, “The Dark At The End of the Tunnel,” seems grimly appropriate. Continuing the fairly recent trend of hero shows almost being required to have flashbacks, this episode’s series of them focus on a much younger Elektra, as well as her early relationship with Stick. Let’s just say that she didn’t have any of the sort of kind, gentle training the famous Mr. Miyagi gave Daniel in the Karate Kid movies.
Continuing the trend of beginning one episode right where the last one ended, “.380″ starts with Daredevil on the roof of Metro General, with far too many ninjas scaling the walls. Daredevil is good, but this is long odds even for him.
“The Man In The Box,” which wasn’t at all about what I thought it would be, opens with the police going through the strange underground area that Daredevil found last episode. Of course, somehow or other, the responding detective is Mahoney. He is starting to feel like the only cop who really works in Daredevil’s New York, all the rest being extras who just fill space in the background. Daredevil shares some information with him, suggests they keep the victims off the grid for now, and then limps off, looking horrible.
Daredevil continues the success of its second season with the ninth episode, “Seven Minutes in Heaven.” A good bit of the episode shows how we got to the point the last one stopped at- the meeting of Wilson Fisk and Frank Castle. It does a fine job of showing how manipulative and ruthless Fisk is, and how incredibly dangerous Castle is.
ComicBookClog 