The Death of Superman was a major event in the comics in 1993. It hit at just the right time in a slow news cycle so that it got a truly impressive amount of coverage in the mainstream media, reaching nightly news shows and even Entertainment Tonight.
Brightburn, a 2019 movie, to me seemed to be essentially an evil version of Clark Kent’s time growing up in Smallville, Kansas.
I have a bookcase (not shelf, case) that’s well past full of Star Wars novels. I’ve played the role playing games, had just about all the original run of action figures, and enjoyed the Galaxies online game until they killed it with the big revision later. So, I’m a fan.
One of the things I love about the Marvel Cinematic Universe is the interconnectedness of it all. While you can watch each movie on its own (except for probably Infinity War and Endgame), it’s so much richer as a story and experience if you follow them all.
I firmly believe there never comes a point when you don’t have something to learn, but I’ll take the risk of calling myself an expert in this one, narrow area. Here’s one rule I’ve come up with over time that I stand by, seeing proven time and again: when you have a story you’re adapting, and make random changes from the source material that don’t really serve any good purpose, the story suffers. That said, it’s time to talk about X-Men: Dark Phoenix.
I’ve never been a huge fan of Venom. I’m a big superhero fan, absolutely, but Venom started as a supervillain who later became, at best, an anti-hero. He/they also have a very complicated history that needs to be greatly simplified whenever it’s adapted, for cartoons or the recent movie.
Teen Titans Go! started running in 2013. Heroism was replaced by hanging around, and the general intelligence of the show and plots dropped along with the ages of the characters.
