Supergirl: Quest for Peace
The writers on Supergirl made a really bold choice for the finale. Actually, they make several, but the one I’m talking about at the moment is the title.
The writers on Supergirl made a really bold choice for the finale. Actually, they make several, but the one I’m talking about at the moment is the title.
The Agents of SHIELD had their new season start off with a bang. We learned about some new hopes, saw an ongoing mission arguably out of SHIELD’s jurisdiction, and saw a new threat with a familiar face.
Several years ago, Marvel paired with Netflix for some really great shows.
Cloak and Dagger are almost through with their second season (and no word as yet on a third as of this writing). The show is getting a bit more stylistic as it goes, with some big analogies to what the characters are going through. Usually, that kind of thing bothers me, but I have to admit, they’re pulling it off really well (and not getting anywhere near as surreally hard to follow as Fox’s Legion).
The fourth episode of Iron Fist’s second season is “Target: Iron Fist,” originally used for Danny’s own comic back in 1977 (Issue 13). The episode uses a trope I’m getting really sick of: a dramatic opening scene and then rewinding to see how we got there.
On the final season of iZombie, the walled city of New Seattle is at war with itself. There are zombies, anti-zombie bigots, Filmore-Graves trying to keep order, the police, Liv’s Renegade network, and still some fairly normal people trying to just get by.
The CW/DC Universe finales keep coming with stories that touch on the future and present both. Flash is very concerned with “Legacy,” which would have worked for the title of Arrow as well, but they used it in season five.
Arrow is the flagship of the DC/CW Universe, and arguably helped usher in the modern age of hero tv. The finale of season seven has a very busy time, trying to wrap up major plots in the present and future, set up for the big crossover down the road, and almost end the series, since it comes back for a very short run this fall.
In 1963, a team dubbed “The World’s Strangest Superheroes” made their debut. While the description of a team of people with freakish powers, protecting a world that fears them, led by a brilliant man in a wheelchair might sound familiar, the Doom Patrol actually appeared a few months before Marvel’s X-Men.
The Legends are almost at the end of their chaotic season. The problems with the magical creatures have veered from comedic to terrifying, and often both at once.