The DC “Expanded Universe” movies have not been doing overly well on a lot of fronts. Man of Steel had people either loving or hating it, but both sides seem to agree that it’s the most divisive comic book movie ever made. Batman Vs Superman didn’t make the box office DC hoped for, and had a lot of bad reviews from critics and fans both (I was one of them). Next up was Suicide Squad, which I liked but could see problems in, and also did disappointingly with critics and fans both. So, I was a bit worried about going to see Wonder Woman.
Turns out, I really didn’t need to be. Wonder Woman is an amazing movie. It’s the best DC has done since maybe the first Christopher Reeve Superman movie, and easily good enough to be a Marvel movie. Those are both high praise in my book. I loved almost everything about it, and my complaints are minimal. They knocked it out of the park on every level. I will do my best to avoid spoilers throughout the review.
Wonder Woman is bookended by scenes of Diana in the modern day. She gets a present from Bruce Wayne that triggers some old memories, and tells us the story. They played with her origin a bit, and some of the theology of the DC Universe, but it works well. Like the Marvel movies, the changes they made worked, and worked well.
We see the story of Diana, growing up as the sole child on Themyscira, an island of Amazons. We hear the history of the island, the Amazons, Diana, and a war of the gods that thankfully was much better than the horrid comic book event of the same name. Diana grows up, dealing with an overprotective mother, Queen Hippolyta, and training in secret with her warrior aunt, General Antiope. The Amazons are in a state of stasis, with nothing really changing, until…
As per the classic origin, Steve Trevor, heroic pilot, crashes on the island while on an urgent mission. In this reshuffling of the story, he’s fleeing the German Army during World War I. The story works in this setting, and, as a friend of mine observed, “Captain America pretty much owns World War II at this point.” There will be another Cap reference later. Steve’s arrival shakes things up, especially when he’s pursued by the Germans. After a nasty fight on the beach with some tragic losses, Diana learns about the outside world and the war that rages. It fits in with a prophecy among the Amazons, and Diana makes the fateful decision to go back with him.
After some hilarious exchanges on the boat that takes them back to London (still not sure how a tiny sailboat gets from somewhere near Greece to London in an amazingly short period of time), Diana gets introduced to modern fashion, complicated politics, and Steve’s secretary Etta Candy, who is brilliant in every scene she’s in. This apparently is in the closing days of the Great War, as the Armistice is being negotiated, and Diana’s mission can’t get any official support that might interrupt the negotiations.
Naturally, this means there’s a secret mission with a ragtag band of misfits along to help out. We get an Arabic conman, a Scots sniper with serious PTSD, and an enigmatic Indian who might just be a lot more than he seems. The group moves across war torn Europe, and sees the horrors of modern war. Diana, still more idealistic than anyone else, makes an amazing charge across No Man’s Land that is brilliantly done.
The bad guys, aside from the German war machine in general, are General Ludendorff and Dr. Maru, a version of a classic Wonder Woman foe, Dr. Poison. They really are out and out villains who revel in destruction and kill those around them who displease them. That must be an HR nightmare. The mission doesn’t quite go as expected, and Diana sees things aren’t always as simple as they’d like them to be.
The final fight involves some great special effects and a sad but necessary sacrifice that looked like it was lifted out of a classic Captain America story (told you Cap would be back). It was heartbreaking but it worked really well, and explained why Diana has been so low profile for the last century or so.
What I liked: Damn near everything. Gal Godot and Chris Pine did amazing jobs as Diana and Steve. The writing, directing, acting, and special effects were fantastic. There was an actual story to go with the action. I’m really hoping we see more of Chief down the road. Etta was great for the few scenes she was in. I saw what they were doing with the big bad guy misdirect early, but it was well done anyway. They balanced Diana’s growing power with Steve being a mortal very well. Steve’s first exposure to the Lasso of Truth was great.
What I didn’t: It’s a short list. I’m not sure how the trip to London went so fast. If Steve and the Germans got through so easily, I don’t see how Themyscira stayed isolated so long. I don’t quite get how an armadillo was on a Greek area island. And really, no end credit scene? Audiences love that, and they did it for Suicide Squad.
This was a fantastic movie. I strongly recommend it. I’m giving this my rare 5 out of 5. Based on the strength of Wonder Woman as a whole, I’m reconsidering my decision to not see Justice League in the theater.
Titans Annual 1
Writer: Dan Abnett
Artist: Minkyu Jung
Colorist: Adriano Lucas
Letterer: Carlos M Mangual
Cover: Brett Booth, Norm Rapmund, and Andrew Dalhouse
Someone is abducting heroes, and many of the members of both the Titans and their mentors in the Justice League find themselves in a strange maze. Tempest, Aquaman, Donna, Wonder Woman, Wally (who needs a new codename), Flash, Nightwing and Batman are all there. Someone is trying to play them off against each other, and when things calm down, they get recreations of various foes thrown at them, including Parademons and Metallo.
Eventually, we learn who is behind the disappearances, although there is someone behind them, too. It’s interesting watching the different relationships between the Titans and the League. Barry and Wally get on great, of course; Aquaman and Tempest are ruler and subject; and Batman is, well, Batman to Nightwing. The really big surprise here is that they give yet another new origin for Donna Troy. Personally, I don’t like it, but it’s creative at least.
Plot: I’ll give them a 3.5 out of 5 for plot. I’ve seen a lot of these plot elements before, but they did a few clever things with them here.
Art: The art was good. I particularly liked some of the facial expressions. I’ll go 3.5 out of 5 for the art, too.
Positives: They did really well the personalities. Batman wasn’t a jerk for the sake of being a jerk, he was reacting questioningly, if abrasively. I liked that Nightwing is the one who first mentioned a big clue about what was going on. The new origin for Donna wasn’t needed, but it was clever. I like that they called out the Justice League on not being friends, which they haven’t been really since the infamous reboot.
Negatives: As I said, I’ve seen all these plot elements before. I’m also not wild about “There’s another big secret, but we’re not going to tell you now,” which is how they ended the story, without telling us when we’d find this out.
I’m a huge fan of the Titans and I like seeing them interact with their mentors. It was a good issue for that.
Oh DCEU, why are they writing you this way? I just don’t get it. Read the rest of this entry
DC Comics has issued their newest “New Talent Showcase.” Since it’s a series of different short stories, I’m going to change my normal review format a bit. As with any collection, it varied a bit, but overall impressed me. Read the rest of this entry
I’ve been a comic book, and general hero, fan my entire life as far back as I go. As a rule, I’m more of a DC fan than Marvel, or at least that was true until the DC reboot several years ago. I’m also a big fan of movies. Give me a dark room, a big screen, and some popcorn and I’m a happy guy. I say all this as background to try and get across what a big thing it was for me to NOT see Batman vs. Superman: Dawn of Justice in the theater. It was the first time two of the most famous comic book heroes out there shared the big screen, and I just couldn’t bring myself to see it after Man of Steel. I’m not going to rehash the Man of Steel controversy here. I will say, and most have agreed, that it was the most divisive comic book movie ever made. For me, on the heels of such dismal products as Green Lantern, Jonah Hex (how do you screw up a cowboy movie??), and Dark Knight Rises, I didn’t like where they went with Man of Steel. Everything I saw suggested that Dawn of Justice would continue that, so I decided to not give them my money. For me, I made the right choice. Read the rest of this entry
Supergirl picks up exactly where it left off last time. The mysterious Pod Person has woken up, and apparently isn’t a morning person. He chokes out Kara, runs amok through the DEO, fights various guards, and manages to escape. He seemed surprised by his powers, which is an indication that either he wasn’t planning on coming to Earth or at least didn’t know that getting here would give him powers. Everyone is fine, but no one has a clue where he went. Read the rest of this entry
DC Extended Universe (I looked it up and apparently, that’s what it’s called – who knew) is hitting us fast and furious with the Justice League trailer and now our first look at the Wonder Woman feature film. Here’s my thoughts. Read the rest of this entry
Here’s my Spoiler Discussion on Batman v Superman: Dawn of Justice. Rather than a straight review, this video features a spoiler-rific rant on specific points of the plot. You’ve been warned!
Viva Las DC Super Heroes on slot machines! Read the rest of this entry
This latest trailer seems to be the plot of Batman v Superman: Dawn of Justice in a nutshell. Let’s take another look! Read the rest of this entry