Now that they’ve gotten the season going, we’re back to the voice-over intros for the Legends of Tomorrow. Sara is doing it this week, and talks about how they broke time. She’s a bit sarcastic, if accurate, and it’s an amusing lead-in for the show.
Still not quite done with “What We Did On Our Summer Vacation,” Legends of Tomorrow starts again with another six month flashback. This time it’s Amaya and Nate, being a happy domestic couple and her preparing a special birthday surprise for him. They get some flirting time in the kitchen, but when he runs…
Season Two of Legends of Tomorrow ended with “Aruba,” where the team kept saying they were going to take a vacation.
Legends of Tomorrow ends its second season with a really chaotic episode that has the pleasant-sounding title of “Aruba.” Well, taking a tropical vacation is a lovely idea, but it probably wouldn’t make for a very interesting episode. What we get instead is the climactic battle between the Legends and the Legion of Doom.…
Last time, the bad guys won in an ugly, decisive way. The Legion of Doom got the Spear of Destiny, and they used it. How bad is it? Well, Eobard Thawne, the Reverse Flash, is doing the opening voiceover now, which can’t be a good sign. As he says at the end, “It’s a brave…
The episode starts off in 1918 France. It’s an interesting choice, with the Wonder Woman movie coming up and so much of that appearing to be set in the same era. Nate, Sara, and Amaya are dressed in appropriate clothes for the time, and tracking blood with the assembled Spear of Destiny. Then, with…
This week the Legends of Tomorrow bounce around the timeline pretty well in “Camelot/3000.” While the title describes their two destinations, it also refers to an obscure comic series from the 1980’s. In the maxiseries Camelot 3000, as the title suggests, Arthur and his Knights come back in the year 3000, in a mix of fantasy and sci fi. Nice job working that in, writers. The voiceover this week is done by Ray Palmer, who suffers in comparison to Heat Wave’s masterful job at the beginning of “Turncoat.”
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