I think at least some of what we’re seeing is what Rachel wished had happened to her when her strange heritage began manifesting. The supernatural turn continues with “Super Super-Mart.” Which I guess is this world’s version of Walmart, more or less.
While I really wish the show wasn’t going, “The Reckoning” went out on a really good note. Since this is a finale that come out some time ago, there will be spoilers in this review.
You know going in things aren’t going to be great from the somewhat spoilery title, “The Last Will and Testament of Sylvester Pemberton.”
This episode also is the live action debut of the titular villain Jinx, a member of Titans’ enemies, the Fearsome Five.
The main character and his wife, among the few remaining characters from the first season, take most of this episode off, they bring back a minor character from the dead (thanks to more complications and ripples from Crisis), and there are a few inconsistences and just plain weird things happening throughout the show.
As you might expect from the title, there are a few disturbing things going on in “Frenemies: Chapter Eleven: The Haunting.”
I’ve thought for a while, and the internet has further convinced me, that any time someone describes anything as the “true” version of something, it’s going to be a bad scene. Throw “one” before the true and it’s much worse.
Last episode of Stargirl ended with the sudden and unexpected appearance of the Ultra-Humanite, a very dangerous foe of the JSA for decades. Considering that, obvious raw power to one side, the Ultra-Hunanite has a few specialties that are very troubling, it makes me wonder about a few things. Actually, it incites the same level of paranoia as much of the Skrull presence in Secret Invasion.
The group that’s being forced to work together is starting to gel, and while I don’t think they’ll be a team for any of the usual reasons, survival is a good motivator. With most of the city turned against them, the gang really is “Under Pressure.”
they do a few interesting things in “Mask of the Red Death, Part One.” The title, obviously, is a nod to the classic Edgar Allen Poe story.
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