Batwoman’s second season has been really impressive. They’ve combined action, character growth, and social issues into a compelling, ongoing narrative. Until this one.
I’ve been really enjoying Batwoman’s second season, and at this point, I’d put it just behind Superman and Lois for most enjoyable of the Arrowverse shows. They took a major curveball between seasons and turned it into some great new stories.
There have been a lot of twists and turns in the second season of Batwoman. From a new character in the starring role to a major change in the big villain to finally seeing the Batmobile (seriously, Luke, where did you think it was?), I’d say “unexpected” is a good word for just about everything that’s happened.
Well into season two, Batwoman is starting to more actively clash with the False Face society and their leader, Black Mask. With the chaos of Safiyah out of the way for now, as far as we can tell anyway, Team Bat can focus on troubles closer to hand.
Batwoman’s second, and very impressive, season is achieving a lot of complicated and difficult things at once. They’ve replaced their lead character, reoriented the main villain, and shaken things up for a few of the supporting characters. The show is also tackling social justice issues, and doing it in a good and engaging way.
Given the events of 2020, a lot of shows have started delving more into social issues. With a Black female LGBT lead, it should come as no surprise that Batwoman is very involved in this.
Later in the year, Marvel debuts it’s second movie with a female lead as we learn more (posthumously, sort of) about the Avenger Black Widow. DC will release a sequel to its smash hit Wonder Woman, with more adventures of the Amazonian Princess. But before we get to those, there’s a mixture of heroes and villains in Gotham City with Birds of Prey. Or Harley Quinn: Birds of Prey. Or Birds of Prey and the Fantabulous Emancipation of One Harley Quinn.